'Batman v Superman' and Our Uneasy Relationship With Heroes

Batman v Superman doesn't portray either of its superheroes as particularly heroic. For MEL, I wrote about how the movie is an apt reflection of how we distrust clean-cut heroes in real life -- and also why the people usually put into the position of being heroes (or role models) are resisting the label. (And that includes Mr. Jose Bautista.) Hope you enjoy.

What Am I Missing?: Poker

Poker has always intimidated me. I've never felt savvy or macho enough to do well at the game, so I've largely avoided it. Over at MEL, I talk to a pro, Bart Hanson, to help walk me through my anxieties. Take a listen.

'Archer' Review

Archer returns tonight to FX. It's as charmingly immature as ever, as I note in my review over at The Wrap. (And I'm so happy my "Phrasing!" joke didn't get cut.)

Happy Birthday, Christopher Walken

The Oscar-winning actor turns 73 today, and in his honor I combed through his prolific career to pick his most indelible moments. Notice I didn't say "his most memorable films": With a guy like this, a performance in a music video is, I would argue, as iconic as some of his movie roles. You can check out my piece here.

'The Larry Sanders Show' and the Birth of the Bromance

Over at MEL, I pay tribute to the late, great Garry Shandling by writing about a particular plotline on the show in which Larry's buddy David Duchovny has a crush on him. In the piece, I argue that the characters' sexual tension helped give us the modern bromance. Check it out here.

My Interview With Emayatzy Corinealdi

Making her breakthrough with the terrific Middle of Nowhere, Emayatzy Corinealdi is back with Miles Ahead, where she plays the muse and love interest of a tempestuous Miles Davis (Don Cheadle, who also directed). For Backstage, we talked about faith, getting into fistfights and why she writes a self-evaluation every six months. She was delightful. You can read the whole thing here.

The Era of the Way-Too-Late Sequel

For MEL, I dug into a recent cinematic phenomenon. We're used to prequels, remakes and reboots, but what about the way-too-late sequel? I'm talking about films like Zoolander 2 and My Big Fat Greek Wedding 2: follow-up films that come out way, way, way after anyone would have reasonably expected a sequel. More such sequels are on their way this year. What's the deal? Read my take.

'Everybody Wants Some!!' Review

It took me a little while to warm up to Everybody Wants Some!!, the latest from writer-director Richard Linklater. Then when I did, oh man, I just loved it. Alongside Before Midnight and Boyhood, this is another absolute gem from the man. I reviewed the film for The New Republic.

The Grierson & Leitch Podcast: That Terrible Superhero Movie and Two Classic Films

The latest edition of the Grierson & Leitch podcast dissects the corpse that is Batman v Superman. If you're tired of hearing critics complain about that movie -- you can see me on CNN International doing the same thing -- then stick around for the back half of the podcast, where we discuss Election and Field of Dreams. Hope you enjoy.

(Also worth mentioning: The original trailer for Election is terrible.)

Loudon Wainwright III - "Bed"

Recently when my wife was out of town for a week, I slept alone in our bed. The few times we don't sleep together, I always think of this song, which is off Loudon's 2001 album Last Man on Earth. Specifically, I think of its opening lines: "Experiments and tests have shown/We sleep sounder when alone." When I was single, those lyrics made me feel a little better. Now that I'm married, well, they don't.

The rest of the song, which touches on sleep, sex, death and dreams, is a beaut.

What's the Greatest Music Biopic Ever?

Over at Rolling Stone, some smart writers and I sing the praises of 30 terrific music biopics. I wasn't in charge of the rankings, but I agree with No. 1, which I happened to write. Check 'em all out here.

True/False 2016: The Wrap-Up

This year for True/False, I decided to focus less on individual reviews and instead immerse myself in as many films as I could. (The fewer reviews you write at the festival, the more time you have to see stuff.) And I tried my best to cover the proverbial waterfront, including sampling one of the Neither/Nor selections. (I, however, didn't make it to any of the secret screenings.)

The below ranking does not include Concerned Student 1950 for two reasons: It's a short, and I missed the first five minutes. But it's incredibly inspiring, and I recommend checking it out online. Now, on to the list...

19. Norman Lear: Just Another Version of You 
18. Life, Animated
17. Sonita
16. Behemoth 
15. Michael Shannon Michael Shannon John 
14. Helmut Berger, Actor
13. Weiner
12. The Pearl
11. Starless Dreams
10. Jim: The James Foley Story
9. Kate Plays Christine
8. Tickled 
7. Cameraperson
6. All These Sleepless Nights
5. The Killing of America
4. Thy Father's Chair
3. Peter and the Farm
2. The Prison in Twelve Landscapes
1. The Other Side

For Paste, I wrote a gargantuan overview of the year's festival, taking a close look at how many of the films focused on the question of watching and being watched. This yearly piece is one of my favorites, and so I hope you enjoy.

'Batman v Superman: Dawn of Justice' Review

I'm genuinely shocked that Batman v Superman has received good reviews. I found it depressingly, oppressively "dark" without much emotional weight behind all that gloom. It just plain stinks, and I explain why over at The New Republic. 

The Grierson & Leitch Podcast: Talking Batman, Superman and 'Frank'

This week's installment of our New Republic podcast covers Midnight Special, of which we're both a fan. But we also dive into our ranking of all the Batman and Superman movies. And after a listener suggested we go back and review Frank, we took the opportunity to give the film a second chance ... not that it helped either of our assessment of the movie much. Feel free to give a listen.

Let's Rank All the Batman and Superman Movies

On Friday, Batman v Superman comes to theaters. I see the movie tonight, but before then, Will and I put our heads together to rank the 13 Batman and Superman films that came before. (Sorry, we didn't include the Adam West feature-film adaptation.) You can check out our list right here.

SXSW: 'The Arbalest' Review

The just-completed SXSW Film Festival awarded its Grand Jury prize to The Arbalest, the first feature for writer-director-editor Adam Pinney. (One of his previous claims to fame: He was the cinematographer on Too Many Cooks.) His film deals with a toy inventor hopelessly in love with a woman who won't give him the time of day. (We've all been there, buddy.) I reviewed the movie for Screen International.

'What the Flick?!': Talking 'Midnight Special,' 'Krisha' and Terrence Malick

I was pleased to be back on What the Flick?! to discuss recent and upcoming releases. Watch as I praise Midnight Special and Jeff Nichols, say nice things about the indie drama Krisha, and defend Terrence Malick's latest.

Kamasi Washington - "The Rhythm Changes"

As someone who's always appreciated jazz but never had the expertise to dissect it with any sort of confidence, I can only report that Kamasi Washington's acclaimed The Epic from last year radiates a kind of mastery that even my unsophisticated ears can pick up on. Mostly instrumental, and stretching out to encompass 17 tracks over almost three hours, The Epic works great in the background. And in the case of "The Rhythm Changes," which features vocals from Patrice Quinn, it can lift your mood exponentially. 

'Pee-wee's Big Holiday' Review

To watch Pee-wee's Big Holiday is to be reminded what made Mr. Herman such a delight in the first place. Pee-wee's gonzo sweetness, his inclusive world, it's all here in this uneven, very silly, pretty pleasurable Netflix film. You can read my review over at The Wrap.

'Midnight Special' Review

Writer-director Jeff Nichols has done it again. Continuing a hit streak that started with Shotgun Stories, Take Shelter and Mud, he returns with the smart sci-fi thriller Midnight Special. I really flipped for it, which will become clear when you read my New Republic review.