Monday, October 16, 2017
I'm not at the Busan Film Festival, but I reviewed a film that premiered there the other day. It's Ash, a thriller that opens with a dead body in a movie theater. How did it get there? And who committed the crime? Those are just some of the answers that director Xiaofeng Li provides in his elegant mystery. My review is live over at Screen International.
Had a blast being on Press Play on Friday. Alicia Malone and I were on to discuss Marshall, The Meyerowitz Stories, Professor Marston and the Wonder Women, 78/52 and Faces Places. You can hear the whole thing here.
Over at MEL, I wrote about the new documentary 78/52, which is devoted to the shower scene from Psycho. Specifically, my piece talks about how that infamous death sequence unleashed sexual violence into the movies, changing the landscape of horror films forever. You can read my essay here.
Friday, October 13, 2017
About a year after it was supposed to first come out, Colors finally gets released today. I've been digging "Dear Life" for a few weeks now. It sounds like an Exile on Main Street track with a modern, sunny pop edge. And, longer than it should have taken, I eventually realized the clever wordplay going on in the chorus.
Thursday, October 12, 2017
Marshall tells the story of a young Thurgood Marshall (played by Chadwick Boseman) in the early 1940s as he defends a black chauffeur accused of raping a white woman. The film is based on an actual case, but Marshall had a basic phoniness that bugged me. I get into it over at Paste.
I have to admit that I was skeptical about Only the Brave, a true-life drama about wilderness firefighters battling a horrific blaze. But what intrigued me was that the film was directed by Joseph Kosinski, who's best known for Tron: Legacy, a visually spectacular sci-fi flick. His latest movie doesn't lead with its visuals: It's a modest but resonant ensemble piece starring Josh Brolin, Miles Teller and Jennifer Connelly. Only the Brave may be conventional, but it's smart and it's thoughtful and it works. My review is up at Screen International.
Tuesday, October 10, 2017
On this week's podcast, Will and I have several new movies to discuss. We rap about Blade Runner 2049 and The Mountain Between Us, and then I go solo for The Florida Project. Finally, in our Reboot segment, we take a look back at Bill & Ted's Excellent Adventure, which is sweeter and sunnier than you might remember. You can listen to the whole thing here.
Last week, Fox revealed a minor spoiler in The Mountain Between Us: The film's dog character doesn't die. Why did the studio do that? Because Fox knew that some viewers would stay away if they weren't sure of the pooch's safety. This inspired an essay from me for MEL, in which I look into the different relationships we have with human and animals characters on screen. Hope you enjoy.
In honor of Liam Gallagher's new album, I decided to look back at some of the more infamous rivalries between brothers. And, as an added bonus, I pick a winner in each feud. The results are over at MEL.
(By the way, after all these years, I still have to think, "Wait, which one is Liam and which one is Noel?")
Friday, October 06, 2017
Still bummed about Tom Petty's death. There are so many indelible hits, but I've really been digging on this Wildflowers cut this week. That's an album that seems to be a standout for so many fans -- as close as he came to a really coherent "concept album," even more so than Southern Accents. Little did we know that the record was his way of hinting that his long-term marriage was falling apart.
Wednesday, October 04, 2017
For Vulture, Will and I gave ourselves the challenge of ranking all of Harrison Ford's performances. The real question: Did Han Solo or Indiana Jones come out on top? The answer is here.
Tuesday, October 03, 2017
Vulture put together a list of the 100 best screenwriters of all time and asked its contributors to wax rhapsodic about the choices. I was happy to do so. Our bylines aren't included next to the pieces we wrote, but the entire list is here.
For Rolling Stone, I looked back at Tom Petty's music-video legacy. What I found were a lot of funny, clever clips. And the more research I did, the sadder I got that he's gone. Check it out here.
American Made underwhelmed at the box office, but Will and I liked it pretty well. We talked about that on this week's episode. And, in our Reboot segment, we dig into two very different themed requests. First up, because the playoffs are about to start, Bull Durham. And then, because horror movies are heading our way in droves, John Carpenter's original Halloween from 1978. Listen to the whole thing below.