Wednesday, March 22, 2017

'I Called Him Morgan' Review


Jazz trumpeter Lee Morgan was a major star in the 1960s. But he ended up murdered by his common-law wife in 1972 at the age of 33. What happened? I Called Him Morgan is an involving documentary that investigates his life -- and that of his lover Helen. It's a sad story. My review is up at Paste.

The Grierson & Leitch Podcast: Christy Lemire, 'Easy Rider' and 'Repo Man'


I'm still on vocal rest, so you won't hear me doing new reviews on this week's episode of our New Republic podcast. Thankfully, my good buddy Christy Lemire was kind enough to pinch-hit for me. She and Will discuss Beauty and the Beast and T2 Trainspotting. I am, however, part of the Reboot segment: Will and I look back at Easy Rider and Repo Man. Take a listen here.

Tuesday, March 21, 2017

True/False 2017: The Rankings and the Rundown


As per norm, I had a great time in Columbia, Missouri, and as per norm, I wrote a massive tome for Paste that chronicled just about everything I saw at True/False. That rundown, you can read here. If you're more interested in a conventional ranked list, here you go. Links lead to individual reviews...

23. Long Strange Trip
22. Dina
21. Distant Constellation (work-in-progress)
20. The War Show
19. Step
18. Brimstone & Glory
17. Whose Streets?
16. Safari
15. Railway Sleepers
14. Abacus: Small Enough to Jail
13. Did You Wonder Who Fired the Gun?
12. Manifesto
11. Communion
10. Quest
9. Strong Island
8. Miss Kiet's Children
7. The Force
6. Stranger in Paradise
5. The Graduation
4. Lindy Lou, Juror Number 2
3. Casting JonBenet
2. Rat Film
1. I Am Not Your Negro

I am very curious to check out Lindy Lou and Rat Film again. The latter has, more or less, been a big hit on the festival circuit. As for Lindy Lou, I know many who were underwhelmed by it at True/False, where it had its premiere. I think it's really remarkable. But, like I said, you can read all about those movies (and many more) over in my Paste piece.

Monday, March 20, 2017

'The Zookeeper's Wife' Review


Jessica Chastain is suitably restrained as, you guessed it, a zookeeper's wife in this fact-based World War II drama about a Polish couple who helped protect Jews from the Nazis. There's much to admire here, especially Daniel Bruhl as one of those Nazis, but I kept wishing The Zookeeper's Wife was a little more gripping, a little sharper, a little better. I reviewed the film for Screen International.

The Legacy of "The Next Woody Allen" Actors


For decades, different actors and auteurs have been dubbed (or have sought to be dubbed) the next Woody Allen. In honor of Paul Rust, the star and co-creator of Love, I took a look back at nine such individuals (including Jesse Eisenberg, pictured). The story of these artists is also sort of the story of how Allen's stature has shifted over the years. My piece is over at MEL.

'Power Rangers' Review


Transformers is back, Teenage Mutant Ninja Turtles is back, so why not Power Rangers? No. No, let's not let that happen. The new film is just wretched. Awful. I hope I don't see anything worse this year, although that new Pirates of the Caribbean movie still looms ominously on the horizon. My review is up at Screen International.

Friday, March 17, 2017

Why Does the Alt-Right Love Taylor Swift and 'The Matrix'?


For MEL, I spent a little time researching artists that are beloved in the alt-right world. Why? Because I'm fascinated why these cretins enjoy some of the same stuff that I do -- albeit for really different reasons. Dive in.

'T2 Trainspotting' Review


It's been 21 years since Trainspotting, the movie, and Danny Boyle has brought back the gang for T2 Trainspotting, which couldn't afford a colon in its title, apparently. I confess I'm not the biggest fan of the original, so I was curious how I'd respond to this sequel. I walked away from T2 impressed with its thematic ambition. Which is something, I suppose. My review is live at The New Republic.

Parquet Courts - "One Man No City"

Sorry, I'm still not entirely sold on Parquet Courts. But this track off last year's Human Performance gets me bopping. I'm always fond of a good Velvet Underground rip.


Wednesday, March 15, 2017

The Grierson & Leitch Podcast: Mark Lisanti and 'A Fish Called Wanda'


So happy to have our old Yahoo editor Mark Lisanti as a special guest for this week's episode. He and Will discuss Kong: Skull Island and Personal Shopper. But fear not: You do get some Tim as well. Will and I take a look back at A Fish Called Wanda. I can't remember the last time I heard Will laugh as hard as he does talking about Kevin Kline in that movie. Check it out.

SXSW 2017: 'Bill Nye: Science Guy' Review


Let me start by saying this: I've never been a big Bill Nye guy. I didn't watch his show as a kid, and I find his shtick to be awfully tiresome. Still, I was willing to give the man a fair hearing, which is where the documentary Bill Nye: Science Guy comes in. The movie is a pretty affectionate portrait, and it does a good job showing what he's fighting against it: bozos who deny climate change and think humans lived side-by-side with dinosaurs. I think Science Guy missteps too often, though, which I explain in my Screen International review.

Monday, March 13, 2017

'Song to Song' Review


Song to Song is Terrence Malick's weakest film, which won't be a surprise to the people who have written him off after his last few movies. But as a true disciple, I'm here to tell you that I still liked Song to Song, although I see all the reasons why most people won't. I reviewed it for Screen International.

'The Belko Experiment' Review


It's Battle Royale in a corporate high-rise with The Belko Experiment, a low-budget, undernourished thriller. There's a grim fascination to the proceedings, but I kept wishing the movie would be edgier, smarter, darker. My review is up at Screen International.

Sunday, March 12, 2017

SXSW 2017: 'A Critically Endangered Species' Review


What an odd beast A Critically Endangered Species is. Starring Lena Olin as a writer who decides to kill herself, this insular character drama is a meditation on aging, literature and the lasting value of art. It's also about power dynamics between this novelist and the impressionable young men she's auditioning to be her executor. It's an intriguing film but not an entirely successful one. My review is up at Screen International.