Showing posts with label vincent lindon. Show all posts
Showing posts with label vincent lindon. Show all posts
Tuesday, May 28, 2024
Ranking Neon's Five Palme d'Or Winners
With Anora, Neon has now been responsible for the last five films to take home the Palme d'Or. Which one is the best? I have the answer.
Labels:
bong joon ho,
cannes,
horror movies,
list mania,
roger ebert,
sean baker,
vincent lindon
Tuesday, May 14, 2024
Cannes 2024: 'The Second Act' Review
Cannes' opening night film is filled with heavy hitters, including Lea Seydoux, Louis Garrel and Vincent Lindon. It's The Second Act, a very meta comedy about characters in a film who know they're in a film. But the jokes belie writer-director Quentin Dupieux's deep anxieties about cinema's future. My review is here.
Tuesday, July 12, 2022
The Grierson & Leitch Podcast: Thor, 'Both Sides of the Blade' and 'The Sea Beast'
Lots of disagreement this week: We differ on the latest from both Marvel and Claire Denis. But we're aligned on Netflix's latest animated film. Hear the whole episode down below.
Tuesday, September 28, 2021
A Salute to Vincent Lindon in 'Titane'
Titane won the top prize at Cannes this summer. It's a crazy, provocative mix of horror, sex and masculinity, and it's highlighted by a terrific supporting performance from Vincent Lindon. I'm a big fan of his, especially after his work in Bastards and The Measure of Man, and I hope Titane helps him reach a bigger audience in the U.S. I sing his praises over at MEL.
Tuesday, May 19, 2015
Cannes 2015: 'The Measure of a Man' Review
It may not be one of the very best films at this year's Cannes, but The Measure of a Man is a movie that's stayed with me, which sometimes at a festival is higher praise. It stars Vincent Lindon as a 50-something man who's been unemployed for about two years, desperate to find work to support his family. This French drama studies how that quest weighs heavy on the character -- the movie is a small little gem of a character study. I reviewed The Measure of a Man for Paste.
Labels:
cannes,
film festivals,
movie reviews,
paste,
vincent lindon
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