'The Roses' Review

There's a new version of The War of the Roses out this weekend. It stars Benedict Cumberbatch and Olivia Colman and is not as good as the 1989 film. I explain why over at Screen International.  

A Salute to the Sports Comedy

In honor of Happy Gilmore 2, Vulture asked us to pick 25 great sports comedies, which was a pleasure. You can check out our list here. 

Michael Bolton's Journey From Punchline to Hip Comedy Icon

Everything that once was uncool will eventually become cool. Take Michael Bolton, whose music was initially ridiculed by hipsters. But now? He's buddies with Andy Samberg. I explored that unlikely transformation over at Cracked.

When Beyonce Brought "Single Ladies" to 'Saturday Night Live'

I haven't seen Beyonce's new concert film yet, but for Cracked I did write about her last appearance on Saturday Night Live, which was 15 years ago. She stole the show, just by being herself. My piece is here.

The Lonely Island (featuring Justin Timberlake) - "Dick in a Box"

You know it's Christmas / And my heart is open wide...

The Grierson & Leitch Podcast: We Review 'The Old Guard,' 'Palm Springs' and 'Greyhound'

Three new movies this week, so there's plenty to discuss. (I also talk briefly about Bloody Nose, Empty Pockets.) Hear the whole thing down below.

'Press Play With Madeleine Brand': Dive Bars, Time Loops and Immortal Beings

I was back on KCRW this week to discuss new movies. Alongside Roth Cornet, I reviewed Bloody Nose, Empty Pockets and also Palm Springs and The Old Guard. Hear our segment down below.

'Palm Springs' Review

Andy Samberg is stuck in a day he can't get out of in Palm Springs. Does that sound similar to Groundhog Day? I reviewed the film for MEL.

The Grierson & Leitch Podcast: Amy Schumer, Charlie Hunnam and 'Billy Madison'

On the new episode of the podcast, we have some news. (Don't worry: It's all good. And, no, my vocal-cord nodule has not returned.) Then, we dive into two new movies. I try to muster up much enthusiasm for Snatched and King Arthur: Legend of the Sword. It's more fun dissecting our Reboot movie, which is (heaven help us) Billy Madison. Enjoy!

The Grierson & Leitch Podcast: The Terrific New O.J. Simpson Documentary

I'll have more to say about O.J.: Made in America soon, but for now, please enjoy the latest installment of the Grierson & Leitch podcast, which is focused on discussing the new 30 for 30 documentary. We also talk a little Popstar and give John Wick a second look. Enjoy.

The Lonely Island's Legacy and 'Popstar'

Over at The New Republic, I thought a little about the Lonely Island and how Popstar both encapsulates their greatness and suggests that they're past their prime. As someone who listens to Incredibad a bunch to this day, I think I'm qualified to render an opinion on such matters -- hopefully you'll agree.

'Popstar: Never Stop Never Stopping' Review

A big Lonely Island fan, I was hopeful that they could pull off Popstar, which is a very silly mockumentary that spoofs the modern pop world. They succeed, for the most part. My review is up at Screen International.

'Party Over Here' Review

Andy Samberg and the rest of the Lonely Island have a new late-night show on Saturdays called Party Over Here. They're not the stars, though: Instead, it's three up-and-coming comics, Nicole Byer, Alison Rich and Jessica McKenna. So far, I'm not too impressed, which you'll be able to gather from my review in The Wrap.

Back Stage: Celeste and Jesse and Mosquita y Mari Forever

This week's Screen Grab column is headed by two very unusual love stories. One is Celeste and Jesse Forever, which stars Rashida Jones and Andy Samberg as a former married couple who are still the best of friends despite wanting a divorce. The other is Mosquita y Mari, a coming-of-age tale concerning two Chicana girls (Fenessa Pineda and Venecia Troncoso) whose friendship may lead to something more. They're both delicate in their own way. My full preview of this weekend's film choices is now available over at Back Stage.

'That's My Boy' Review

For the record, That's My Boy is actually a better Adam Sandler vehicle than Just Go With It or Jack and Jill. But, yes, it's still real bad. But bad in an interesting way, which is how I would describe lots of Sandler's recent duds. I explain all this in more detail in my Deadspin review.

Andy Samberg's Future in Film

Andy Samberg is a mystery to me. I liked him fine on Saturday Night Live, and I really enjoyed (most of) his Digital Shorts. And the first Lonely Island album, Incredibad, is actually quite great. But I don't find myself that interested in his transition to film: I worry there's not enough of a persona there to make me care. For Gawker, I decided to predict what sort of career Samberg is going to have in film. To make it more fun, I compared him to many Saturday Night Live alums to see if any of them might be a good fit. You can read my findings here.