Cities move me. That’s why I don’t think I could make a film in a place that would appear boring to me, or unromantic. If I’m making a film in Venice, or Paris, I can really do a good job and make the atmosphere part of the story — that’s very important to me. Originally, when I was doing this film, I was going to title it Midnight in Barcelona. And then I changed it, because I just felt the film was about Vicky, Cristina and Barcelona — that it required equal billing.
The rest of the interview with
L.A. Weekly's Scott Foundas is
here.
