On the Beautiful 'Anomalisa'

A gorgeous little love story full of melancholy, Anomalisa is one of the year's best films. Over at The New Republic, I sing its praises, which is challenging in part because the movie's greatness is tied up in its ineffability. I explain why right here.

Donnie Trumpet & the Social Experiment - "Sunday Candy"

Merry Christmas, everyone. Get Surf.

'Joy': The Stories David O. Russell Tells About Himself

For the third time in his last four films, director David O. Russell is working from a true story in Joy. But, as usual, the movie is less about the real-life person than it is about himself. For The New Republic, I explain the pros and cons of that approach. Read all about it here.

'(T)error' Review

(T)error was my favorite documentary of the year. For Screen International, I go into why. (And if you missed it in theaters, fear not: (T)error will be coming to PBS in February.)

'The Revenant': Leo Gone Wild

I make my New Republic debut with my piece today on The Revenant. It was only during a second viewing that the enormity of Leonardo DiCaprio's performance really hit me. Truth is, the whole movie worked better a second time, which is even more impressive considering I saw it on a television, not the big screen. You can read my thoughts here.

'Saturday Night Live' Recap: Tina Fey and Amy Poehler Are Funny Enough

Much like their new film Sisters, Tina Fey and Amy Poehler's hosting job on Saturday Night Live didn't require much from them and was likable enough. Not amazing, not brilliantly funny -- but, hey, good enough. For Rolling Stone, I recapped last night's episode. (My wife laughed as much as I did over "Meet Your Second Wife.") You can read my thoughts here.

What's Leonardo DiCaprio's Greatest Performance?

That's what Will and I set out to determine over at Vulture, doing one of our fun ranked lists. A few things I discovered while putting together the list....

1. I've been defending DiCaprio to naysayers for a long time.
2. I was right.
3. Will and I both think that his best work has come with Martin Scorsese, a collaboration that many critics had serious reservations about at first.

OK, on to the countdown.

Daft Punk (featuring Panda Bear) - "Doin' It Right"

Immediately after seeing Sisters, I thought, "Man, I kinda want to listen to Random Access Memories now." The reason was that this gem is used in the film quite nicely.

'Sisters' Review

Yay, Tina Fey! Yay, Amy Poehler! Eh, Sisters ... which is barely good enough to recommend, just so long as we all promise not to think about it too much. I reviewed this hit-or-miss comedy for Paste.

'The Magicians' Review

The Magicians premiered tonight on Syfy, and the show appears to want to be a sexy Harry Potter. Did you want that in your life? No, no you did not. I reviewed the pilot for The Wrap.

'Star Wars: The Force Awakens' Review

OK, let's do it: Here's my review for Screen International. (And don't worry: This review is spoiler-free.)

2015 in Review: The Year's Best Lists

For the second consecutive year, I had the very enjoyable task of figuring out for Rolling Stone what the year's best lists were. What I try to do is find lists that are either incredibly smart, deeply engaging or emblematic of the year gone by. Here are 20 that serve as a time capsule of life in 2015. (Congrats, Ms. Lawrence, you made the cut.)

'The Hateful Eight' Review

Here are some facts about Quentin Tarantino:

1. He is one of our most accomplished, ambitious, talented, essential modern filmmakers.
2. His films tend not to do as much for me as they do my colleagues.

This brings us to The Hateful Eight, which I reviewed for Screen International. I am convinced I need a second viewing to fully absorb it. And I am also fairly certain that it's another QT joint that is audacious but not entirely satisfying. You can read my review here.

'Childhood's End' Review

As a teen, I really liked Arthur C. Clarke's Childhood's End. Hollywood has long wanted to turn the novel into a film, but now Syfy has decided to go the miniseries route. It is perfectly competent and not all that good. I reviewed Childhood's End for The Wrap.

'Star Wars: The Force Awakens': What If It's Great? What If It's Not?

I see Star Wars: The Force Awakens tonight, with Disney asking that reviews be held until Wednesday. So, for Popular Mechanics, I did a little speculating about a best- and worst-case scenario for the film. (The worst-case scenario was a lot less fun to write.) You can read the piece here.

Beach Slang - "Porno Love"

Did you know that if you search "porno love" on YouTube, you will find many results that are not the Beach Slang song? This track if off the band's wonderfully-titled disc The Things We Do to Find People Who Feel Like Us.

'In the Heart of the Sea' Review

Not to be confused with By the Sea or The Sea of Trees, In the Heart of the Sea stars Chris Hemsworth and Benjamin Walker as seaman on the hunt for a white whale. Sound like Moby-Dick a little? That's the idea. Based on the actual events that inspired the book, this Ron Howard film is only moderately engaging, which I get into in my Popular Mechanics review.

'Joy' Review

Of all of David O. Russell's recent films, Joy is the most resistible. Starring Jennifer Lawrence as the inventor of a self-wringing mop, the movie is based on the true story of Joy Mangano, but it very much combines elements of the director's The Fighter, Silver Linings Playbook and American Hustle. It is, quite frankly, a bit of a mess. Just enough of it works for me to recommend, but you gotta wade through much that doesn't. My review is up at Screen International.

'Press Play With Madeleine Brand': Who's Ready for a Little 'Krampus'?

I was on Ms. Brand's KCRW show today with Christy Lemire to discuss Krampus, Chi-Raq, Macbeth and Youth. Spoiler alert: I am very meh on several of this weekend's film options. You can hear us chat right here.

'The Revenant' Review

One of the final pieces of the Oscar puzzle, The Revenant, was shown to critics at the end of last month. My review is now up on Screen International. What did I think of the film? Well, like with a lot of Iñárritua's stuff, I am enormously impressed by the craft but a little iffy on the content -- and the showiness can sure be a drag. But, hey, it's a hell of a show he puts on. You can read all my thoughts here.