The biggest problem with Bruce Springsteen’s 1975 breakthrough album was always how unabashedly it proclaimed its own greatness. The wall-of-sound, white-soul-at-the-opera-house Born to Run is definitely full of itself — its lead track emoted over five minutes of portentous piano, its title track laden with glockenspiel and guitar guitar guitar, its thematic burden an unresolved quest narrative, its groove as grand as a V-8 hearse. Newcomers may not get why its class-conscious songcraft provided a relief from the emptier pretensions of late-hippie arena-rock. Yet it sounds greater today than it ever did.
Saturday, January 14, 2006
springsteen, without cliches
Bruce Springsteen is such an instutition -- more icon now than man -- that it's hard for a reviewer to judge anything beyond the mystique. Such difficulties are no problem for Robert Christgau, though, who starts his review of the re-release of Born to Run this way ...