Everybody's Got One: The Home of Tim Grierson

As part of MEL 's yearlong look back at 1997, I wrote about two pretty pivotal performances the Oscar-winner gave in movies that came ou...

On this week's episode, we have two Reboots: Francis Ford Coppola's Tucker: The Man and His Dream and John Sayles' Passion F...

Last weekend, Disney's new version of Mulan was supposed to hit theaters. Over at Vulture , we offer some cinematic alternatives if...

On this week's episode, we dispense with Gemini Man rather quickly so we can focus on two good (and very different) movies: Bong Joo...

Why is Gemini Man an apt metaphor for Will Smith's recent career crossroads? When will he stop talking about the fact that he turn...

Ang Lee's new action film is the second in a row he's shot in a higher frame rate than is traditional for studio movies. I find h...

Annually for Popular Mechanics ' print edition, I have the pleasure of looking back at the year's most impressive movie effects a...

On this week's episode of the Grierson & Leitch podcast, we review Arrival , Loving and Billy Lynn's Long Halftime Walk . P...

Ang Lee likes to challenge himself, and his newest movie finds him experimenting with a much higher frame rate than a traditional film. (...

The Dissolve 's Movie of the Week is Hulk , Ang Lee's misbegotten 2003 excursion into comic-book filmmaking. Today, I provide an ...

Oscar-winning director Ang Lee will be releasing Life of Pi  on Wednesday. My review will be coming out closer to that time, but meanwhil...