Everybody's Got One: The Home of Tim Grierson

I'm still in Cannes, but I sent in a voice note from the festival for this week's episode of the podcast in which I discussed some e...

In general, I've been amused by Nicolas Winding Refn's post- Drive  obsession with making movies that are way higher on style than s...

Looking for an endearing, queer-themed animated film about a horrible virus that's turning everyone straight? Let me suggest  Jim Queen ...

In  The Blow , first-time feature director Julien Gaspar-Oliveri tells the story of two very closely bonded siblings who have very different...

It was a treat to be back on  The Screen Podcast , alongside editor Matt Mueller, to talk about some of the early highlights (and misfires) ...

James Gray's sixth film to screen in competition at Cannes stars Adam Driver and Miles Teller as brothers in New Jersey in the 1980s who...

Radu Jude can't stop making films. His third in the last 18 months or so is  The Diary of a Chambermaid , which is kinda sorta based on ...

Ryusuke Hamaguchi has made some wonderful films. But  All of a Sudden  is something else: an emotional powerhouse that's also filled wit...

Asghar Farhadi's latest is loosely based on  Dekalog: Six , but in truth it's really more a riff on Krzysztof Kieslowski's sensi...

The opening night film at this year's Cannes,  The Electric Kiss (La Vénus électrique) , ends with "Venus," because of course....

Diego Luna's fourth directorial feature is  Ashes , about a young Mexican woman (Anna Diaz) who moves to Spain, following her mother, wh...