It's my fault that I've introduced this song to my Cannes flatmates. It's a long, dumb story, although perhaps not as long as how Timex Social Club became Club Nouveau.
Everybody's Got One: The Home of Tim Grierson
Friday, May 17, 2024
Timex Social Club - "Rumors"
Thursday, May 16, 2024
Cannes 2024: 'Megalopolis' Review
I was so rooting for Francis Ford Coppola's first film in 13 years. But I think Megalopolis is a failure. My review is up at Screen International.
Tuesday, May 14, 2024
Cannes 2024: 'The Second Act' Review
Cannes' opening night film is filled with heavy hitters, including Lea Seydoux, Louis Garrel and Vincent Lindon. It's The Second Act, a very meta comedy about characters in a film who know they're in a film. But the jokes belie writer-director Quentin Dupieux's deep anxieties about cinema's future. My review is here.
Friday, May 10, 2024
My 2024 Cannes Preview
What are the films I'm most intrigued by this year at the world's most prestigious festival? Take a look.
Thursday, May 09, 2024
Hot Docs 2024: 'Never Look Away' Review
Lucy Lawless has directed her first film, and it's a documentary about Margaret Moth, a combat photographer whose life was as wild away from war zones. My review is up at Screen International.
Hot Docs 2024: 'Farming the Revolution' Review
Farming the Revolution won the prize for Best International Documentary at Hot Docs. It chronicles Indian farmers' protests after their government's decision to pass laws that put their livelihood in jeopardy. I reviewed the film here.
The Grierson & Leitch Podcast: Stunt Performers, Outcasts and a Movie About Pop-Tarts
Our latest episode ... was in person! Will and I sat at my dinner table to discuss The Fall Guy, I Saw the TV Glow and Unfrosted. Hear the whole thing down below.
Labels:
emily blunt,
jerry seinfeld,
melissa mccarthy,
movie reviews,
netflix,
podcast,
ryan gosling
I Finally Saw 'Let It Be'
I never thought the Beatles would allow the 1970 documentary Let It Be to see the light of day after its initial release. Well, it's now on Disney+. I wrote about the film here.
Labels:
beatles,
documentaries,
essays,
john lennon,
music,
paul mccartney,
roger ebert
Wednesday, May 08, 2024
Hot Docs 2024: 'Intercepted' Review
Intercepted chronicles Russia's war on Ukraine in a striking way. We see images of destruction juxtaposed with audio from phone calls made by Russian soldiers calling their loved ones back home. My review is up at Screen International.
Hot Docs 2024: 'Red Fever' Review
How much has Indigenous culture permeated the world? Red Fever explores fashion, sports and politics, seeing how Native peoples have left an immeasurable influence on each. I reviewed the documentary for Screen International.
Tuesday, May 07, 2024
What 'The Fall Guy' Gets Right About "Against All Odds (Take a Look at Me Now)"
Think you can resist Phil Collins' emotional power ballad? Think again.
Labels:
cracked,
emily blunt,
essays,
music,
phil collins,
ryan gosling,
song history,
soundtracks,
the '80s
Hot Docs 2024: 'Whatever It Takes' Review
Whatever It Takes is a true-crime documentary with all the twists and turns you'd expect. The less you know the better going in, but I'll just say the story has something to do with eBay. My review is up at Screen International.
Hot Docs 2024: 'The Ride Ahead' Review
With The Ride Ahead, Samuel Habib and his father Dan have made a documentary about disability visibility, chronicling Samuel's journey into adulthood. My review is here.
Hot Docs 2024: 'Le Mans 55: The Unauthorised Investigation' Review
In 1955, Le Mans experienced the deadliest crash in its history. Director Emmanuel Reye lost two uncles in the tragedy, and he's still seeking answers for what happened. The result was Le Mans 55, which I reviewed for Screen International.
Labels:
film festivals,
hot docs,
movie reviews,
screen international,
sports
Hot Docs 2024: 'Helen and the Bear' Review
I went to Hot Docs for the first time this year. One of my happiest discoveries while I was there was Helen and the Bear, which traces the long, complicated marriage of Helen and Pete McCloskey. Never heard of them? That scarcely matters. My review is up at Screen International.
Phil Lord and Chris Miller > "The Fall Guy"
Underwhelmed by The Fall Guy, I tried to pinpoint my big problem with the film. And then it hit me: I would have liked it a lot more if Phil Lord and Chris Miller had made it. I explain why here.
My Interview With Turner and Bill Ross, Directors of 'Gasoline Rainbow'
The guys behind Western and Bloody Nose, Empty Pockets have returned with one of their best hybrid projects, the road-trip meditation Gasoline Rainbow. For RogerEbert.com, I talked to the brothers about America, making movies the hard way, and whether they envy their teen cast. Hope you enjoy.
Labels:
directors,
documentaries,
interviews,
roger ebert,
ross brothers
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