Sorry/Not Sorry looks back at the fall of Louis C.K. in light of allegations of sexual harassment that he later confirmed. The directors of the documentary are interesting because one of them (Caroline Suh) had been a fan of the comic, while the other (Cara Mones) hadn't been that familiar with his work. (They're also from different generations.) Did making the film change their views on his comedy? I spoke to them for Cracked.
