It could have been frustrating for another actor, or even me at another time in my life. But because this was the first movie I’d done as an adult — I’d really just done kids movies before this — it was my first real movie where I felt, “Wow, there’s such a process behind this.” A development of character and letting the scene happen rather than forcing it to happen — that’s what Stanley taught me about while we were making this movie. Honestly, at that point I wasn’t sure I wanted to act anymore because I hadn’t seen that kind of magic. What would really happen if you slowed everything down? Every moment, or the planning of every scene? The writing, or the rewriting? I felt like I was finally understanding what movies were about. If you let something unfold, it could be very magical, like an athlete getting into the zone. I felt like after doing it multiple times, I was in this zone that was very different than me remembering my mark or remembering my line. It just became this organic moment. I think that usually only happens with actors who do theater, perhaps. Or who do a Kubrick movie. It was a very special world that could have driven a lot of people mad.She was only 21 when she worked on Eyes Wide Shut. She hasn't come close to being part of a project quite as special since, although I thought she was great in the superb Two Lovers.
Thursday, July 16, 2009
vinessa shaw remembers stanley kubrick and eyes wide shut
Great piece over at Movieline -- today is the 10th anniversary of the release of Eyes Wide Shut, and to mark the occasion, S.T. Vanairsdale interviewed actress Vinessa Shaw, who played the prostitute Domino in the film. The whole thing is worth reading, but here's a quote I liked in response to the potential frustration for an actor in doing take after take after take: