Everybody's Got One: The Home of Tim Grierson

I was back on Press Play yesterday with Amy Nicholson to rap about X-Men: Apocalypse and Alice Through the Looking Glass . I also sing...

"Life goes on long after the thrill of livin' is gone," John Mellencamp once sang, and this X song takes that truth to its nex...

The reviews for the latest X-Men movie haven't been so good. So why do I like Apocalypse so much? That's what my piece in the ...

One of the Cannes jury prizes that didn't drive me nuts was the awarding of Best Director to Cristian Mungiu for Graduation . (He sha...

I'm back from Cannes, so for this week's episode of the Grierson & Leitch podcast, we talk about the festival and my takeaway...

For Biography , I gave Thelma & Louise a second look. It came out in May 1991. Does it hold up? Mostly yes, but what's fascinati...

When people ask me how a film festival went, there are always two answers I could give. The first, which is the one folks normally care ...

I have to assume that, eventually, we as a culture will decide to forgive Mel Gibson and welcome him back. Just about every other disgrac...

Kristen Stewart reunites with Clouds of Sils Maria filmmaker Olivier Assayas for Personal Shopper about an American living in Paris who...

Wouldn't you know it, I attend my first Cannes with a Dardenne brothers film and people don't like it all that much. Well, I enjo...

In the midst of Cannes, I missed the news about Guy Clark's passing . I'll let Lyle Lovett sing the man's praises while covering...

When journalists like myself wrote Cannes previews spotlighting the films we were most excited to see at the festival this year, very few...

There are still two days left in the festival, but my favorite film at Cannes is the most divisive. Andrea Arnold's American Honey i...

I've loved The Lobster since I saw it last year at Cannes. As it starts to expand around the country, I decided to write an essay fo...

The latest episode of the Grierson & Leitch podcast is our first intercontinental show. I'm in Cannes, Will is in the U.S., and t...

Midnight Express is no personal favorite of mine. Its paranoia feels incredibly dated, and never mind how racist it is. Still, Midnight ...

One of the nicer discoveries of this year's Cannes is The Student , a Russian satire in which a Bible-thumping teenager turns his sch...

Garbage have a new album on the way soon. But for MEL , I decided to look back at their first, titled simply enough Garbage . I explain w...

German filmmaker Maren Ade hasn't put out a new movie in years. She returns with Toni Erdmann , about a father and daughter working t...

The signs were not encouraging for Hands of Stone . This biopic about Roberto Duran had seen its press screenings canceled here at Cannes...